What is the story of the opera Faust?
Faust has spent a lifetime in the study of science. Disillusioned with life, he resolves to poison himself. He curses God and calls on the Devil. Méphistophélès obligingly appears and offers Faust riches, power, or glory.
Who wrote operas about Faust?
Faust, opera in five (or sometimes four) acts by French composer Charles Gounod (French libretto by Jules Barbier and Michel Carré) that premiered in Paris on March 19, 1859.
How many acts does Faust have?
Faust is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré’s play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe’s Faust, Part One.
What happens at the end of the opera Faust?
The final scene takes place in a prison, where Marguerite is being held after killing her child. She hallucinates. Encouraged by Mephistophélès, Faust tries to help her escape, but it is too late. Marguerite calls upon the angels, repulses her lover, and faints.
Who is Valentine in Faust?
Margarete’s brother and a soldier, Valentine is outraged by the knowledge that his sister has compromised her honor by taking on a secret lover (Faust).
Why is Faust the protagonist?
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( c. 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures.
Which archetypal situation is represented in the prologue of Faust?
In the Prologue in Heaven, Faust is a representation of humans. We don’t always find the path but if we believe in God in the slightest way, God accepts us into heaven. That’s what happened to Faust, in the end of the story he turns his ways around and gives back to the people.
What does Mephisto represent in Faust?
Ironically, although Mephisto represents evil, he can also be an unconscious force for good. This is first indicated by his presence at the side of God in the “Prologue in Heaven,” which implies that evil is an accepted and natural part of God’s universal system.